PLOT
- Lear banishes the daughter who loves him (Cordelia) and gives his kingdom to his two unloving daughters.
- The daughters ignore the provisos of his inheritance and banish him.
- Meanwhile, Gloucester, an adviser of Lear’s, believes his “unlawful” son Edmund’s slander about Edgar, his legitimate son; Edgar gets banished before Gloucester discovers Edmund’s the villain.
- Cordelia finds her father and wages war against her sisters; Edgar finds and comforts his banished father.
- Cordelia and Lear both die because of Edmund’s trickery; Edgar is left to run the kingdom.
CONTEXT
- Lear’s unqualified love for his daughters echoes the doctrine of the “divine right of kings” invoked and articulated by King James I.
- Elizabethan and Jacobean culture had several ways to reinforce hierarchy: land, dress, and performance. Edmund’s bastardy calls to mind these cultural forms of ranking.
- The Jacobean laws of inheritance and primogeniture inform the play’s two plots.
- The book is filled with references to pagan gods who administer punishments of various kinds. This pagan mythology is crucial to understanding the play’s meaning.
- Shakespeare got the story from ancient English chronicles, and he controversially changed the “real-world” ending. In the chronicle, Cordelia lives.